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àªÅâÅÍÔµÒàÅÕ¹ Paolo Vettori 2011 ÃØè¹ Giuseppe Guarneri I
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VC5000
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àªÅâÅÍÔµÒàÅÕ¹ Paolo Vettori 2011 ÃØè¹ Giuseppe Guarneri I "filius Andrea" à»ç¹ºÔ´Ò¢Í§ Giuseppe Guarneri "del Gesu"
The Cello name "Torrente Veccione"
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- äÁéá¼è¹Ë¹éҷӨҡʹäÁéÍÔµÒàÅÕ¹à¡èÒÍÒÂØ»ÃÐÁÒ³ 300 »Õ ªèÇ ¤.È. 1725 - 1828
- äÁéá¼è¹ËÅѧáÅТéÒ§·Ó¨Ò¡äÁé àÁà»ÔéÅÍÔµÒàÅÕ¹á¼è¹à´ÕÂǵѴẺ Slap Cut ÍÒÂØ 300 »Õ
- Êоҹ¹ÔéÇ·Ó¨Ò¡äÁé Madagascar Ebony
- äÁé¤Í : äÁéàÁà»ÔéÅÍÔµÒàÅÕ¹¤Ñ´ÍÂèÒ§´Õ ÁÕÅÒÂÊǧÒÁ
- Êоҹ¹ÔéÇ : äÁéáÍ¿Ãԡѹ Ebony
- ªØ´ÅÙ¡ºÔ´·Ó¨Ò¡äÁé Ebony
¾ÃéÍÁãºÃѺÃͧ¨Ò¡ªèÒ§ Certificate & Photo Book
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- ÇÒ¹Ôª : à»ç¹ª¹Ô´ varnish à»ç¹Êٵâͧ·Ò§µÐ¡ÙŪèÒ§
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- ¢¹Ò´ : 4/4
- ¢¹Ò´¤ÇÒÁÂÒÇÅÓµÑÇà¤Ã×èͧ (Body Length) ÁÕ¤ÇÒÁÂÒÇ 75,5 ૹµÔàÁµÃ
- ¢¹Ò´ÅÓµÑǢͧà¤Ã×èͧÊèǹâ¤é§´éÒ¹º¹ (Upper Bout) ÁÕ¢¹Ò´¤ÇÒÁ¡ÇéÒ§ 36 ૹµÔàÁµÃ
- ¢¹Ò´ÅÓµÑǢͧà¤Ã×èͧÊèǹàÇéҵç¡ÅÒ§ (C – Bout) à˹×Í F-Holes ÁÕ¢¹Ò´¤ÇÒÁ¡ÇéÒ§ 24,5 ૹµÔàÁµÃ
- ¢¹Ò´ÅÓµÑǢͧà¤Ã×èͧÊèǹâ¤é§´éÒ¹ÅèÒ§ (Lower Bout) ÁÕ¢¹Ò´¤ÇÒÁ¡ÇéÒ§ 45 ૹµÔàÁµÃ
- ¢¹Ò´¤ÇÒÁÅÖ¡´éÒ¹¢éÒ§¢Í§µÑÇà¤Ã×èͧ ( Depth of Rib) 12 ૹµÔàÁµÃ
- ¢¹Ò´¤ÇÒÁÂÒǢͧÊÒ 69 ૹµÔàÁµÃ
- ËÒ§»ÅÒ·Ó¨Ò¡¾ÅÒʵԡ Akusticus ÍÂèÒ§´Õ ÁÕ fine adjuster ½Ñ§ã¹µÑÇ
The violin maker liutaio in Florence
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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àªÅâÅÍÔµÒàÅÕ¹ Paolo Vettori 2013 ÃØè¹ Replica J.B. Guadagnini
ÂÕèËéÍ: Paolo Vettori
ÃËÑÊ: VC5001
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àªÅâÅÍÔµÒàÅÕ¹ Paolo Vettori 2013 ÃØè¹ Replica J.B. Guadagnini
The cello is made after a J.B. Guadagnini pattern and the Back is in one piece of Willow, the top board is in almost one piece of very old spruce (500 years old), scroll and sides are made in Italian Maple.
Paolo Vettori was born in Firenzuola in 1945, a small city in the Tosco-Romagnolo Appennini mountains and is the fifth-eldest son of Dario (1903-1973), known as "il liutaio della montagna". He started working in his father's workshop at a very early age. ‘In the 1960s Paolo visited Carlo Bisaich’s violin workshop with his father and was fascinated by the instruments, models, moulds and charisma of the important master. In the 1970s, he moved to Florence, where he was a frequent visitor and observer at the violin workshops of Lapo Casini and Sderci, where he received precious and important advice. When Giuseppe Stefanini moved from Brescia to Florence in 1986, the two craftsmen became acquainted and a deep, long-lasting friendship developed. Paolo acquired various techniques, models for violin-making and formulae for varnishes exclusive to the Bisiach family, with whom Stefanini collaborated closely for many decades. Paolo has already built more than 300 instruments including violins, violas and violoncellos, employing a great variety of models, many of which came from Carlo Bisiach's workshop, acquired in 1997 after the death of Sderci; the very same moulds and tools that had taken his fascination in 1963 in the violin workshop in Via Puccinotti 94, avoiding in this way their dispersion. Paolo's construction technique and style show strong traces of his father's influence, but also of his immense experience acquired over the years. At this time, he works in his workshop in Via della Dogana with his two sons Dario II and Lapo and his daughter Sofia, everyone signing the instruments with their own labels. Together, the family continues to follow the tradition and the great adventure started by "grandfather Dario" in 1935.In 2005 they celebrated 70 years of violin-making.
ÊÔ·¸Ô¾ÔàÈɵÅÍ´ÍÒÂØ¡ÒÃãªé§Ò¹ÊÓËÃѺàªÅâÅ·Õè«×é͡Ѻ·Ò§ÃéÒ¹
ÊÁѤÃÊÁÒªÔ¡ ¿ÃÕ! ¾ÃéÍÁºÃÔ¡Òáè͹ áÅÐ ËÅѧ¡ÒâÒ¿ÃÕàªè¹ à»ÅÕè¹ÊÒ àÊÒ«ÒÇ´ìâ¾ÊµìÅéÁ «èÍÁËÂèͧ ¾ÃéÍÁÃѺÊèǹŴ¾ÔàÈÉàÁ×èÍ«×éÍÍØ»¡Ã³ì ÍÐäËÅè ÊÒ ¡ÅèͧàªÅâÅ ÃÇÁ¶Ö§¡ÒÃÊ͹àªÅâÅ |
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